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1.0 Log Cabin - 1870 - 68" x 76"
Sunshine and Shadow pattern - 1860 by
Abigail Hannan. Started in the Sioux Territory in Nebraska and
pieced on covered wagon trail to Walla Walla, WA. Family still lives
in Walla Walla and are/were musicians and teachers.
Quilt is made
from double pinks, browns, madders, blacks, reds and shirtings of
the early to mid 1800's. Back is feedsacks and so are the bindings.
Small repairs on back but not through the front.
2 places where
mouse holes had been - reconstructed with period fabrics. Bought in
Nehalem, OR in 1997.
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1.1 Le Moyne 8 Pointed Star - 1840-1850/2011 - 47" x 64"
These 8 Pointed Star/ Le Moyne Star blocks were made from
1840-1850 pre-Civil War fabrics by Frieda Briggs of Plainview, NY
during that period. They were never finished into a quilt. Added on
in 2011 the 100% cotton for the batting and current muslin for the
back by Judi Fibush, Rocklin, CA. The quilting is 10-12 stitches per
inch with all seams quilted in the ditch.
Shown individually are a very rare purple fabric, a blue with
chrome/cheddar flowers fabric and a fragile brown shirting plaid
fabric. There are madders, lots of double pinks, paisleys, crimsons,
indigos and even a touch of a blue fondue in a paisley print.
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2.0 Log Cabin - Barn Raising - 1890 - 64"x 64"
This is a stunning late Victorian Log Cabin in the "Barn Raising"
pattern that is organized into radiating diamonds. Its elegant
fabrics and strong graphics distinguish this graphic beauty made of
silks and velvets. The outside border is embroidered around each
separate piece making it even more unique. Maker is unknown but was
found in Massachusetts.
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3.0 CRAZY QUILT - 1895 - 67" x 67"
This crazy quilt was made Oct 5, 1895 from denim, cottons, old
work clothing, etc. Extensive and exquisite embroidery work was
done in floss and yarn with motifs of words, such as Comfort and
Cloverleaf, flowers, initials and animals. It was badly damaged and
dirty and needed a complete restoration to make it whole again.
That was not possible but laundering, decent repair work and
reassembling has put it back to much of it's faded glory.
Lightweight 100% cotton batting was added, the old clean back was
reused and a dark red binding finished the piece. No provenance was
found but a testament to a lady without means but lots of skill and
love were put into this charming, sweet little quilt.
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4.0 Log Cabin - 1890-1900 - 64" x 65"
Typical 12" log cabin blocks but misshapen by maker. Composed of
wools, brocades, some velvets and silks at the turn of the 20th
century. Back is light weight red wool and sparingly hand quilted.
Maker unknown.
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5.0 Log Cabin-Streak of Lightning – 1890-1905 – 64” x 74”
Josephine Arland of Washington state made this quilt top mostly
from silks plus some taffetas, brocades and velvet fabrics from the
late 1800’s. It consists of 195 – 5” blocks made of 17 – ½” wide
strips into each log cabin block. Approximately 40+ of the blocks
were damaged or destroyed. The ruined areas were restored with
antique and vintage silks, a 2” wide velvet border and black cotton
back were added in 2007.
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6.0 Wool Kaleidoscope Quilt - late 1800's - early 1900's
77"
x 81"
Wools from late 1800's and early 1900's plus velvets, brocades
and a few flannels with a chamois red flannel back and tied with
black button hole thread.
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7.0 Whig Rose Top - variation - 1860 - 80" sq.
According to Leigh Fellner “The top called "Tea Rose variation"
is actually in a pattern commonly known as Whig Rose. Both its form
and name appear to originate in an overshot weaving draft by that
name. The format is always the same: a central bloom (often similar
to the single bloom of the Rose of Sharon pattern) with four
branches, each of which typically has two smaller flowers or buds.
Occasionally parts of Whig Rose quilts' blooms were made by ruching,
but more typically this design was completely appliqued of flat
shapes. This format was most common during the earlier
(1840-60) half of the red/green quilt fad.
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7.1 Log Cabin - Streak of Lightning - 1900-1910 - 62" x 70"
This Log Cabin quilt was made by Lucy Briggs of Lake Oswego, OR.
It is composed of wool, velvet, flannels, silks and cotton fabrics
of the first decade of the 20th century. The back is a late 1800's
homespun wool blanket and is bordered by black fabric. The quilting
outlines every block at 8 stp inch.
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8.0 Redwork Quilt - 1905 - 65" x 72"
Made by a friend of the family of Zetta Timkins in Kansas
City, MO. for her wedding Nov. 22, 1905 as seen in bell block. Found
in a trunk in the basement when she died. Both her father and
husband were named Harold plus the names of Lorena for her mother
and Zetta for the bride. The husband Harold was killed in WWI and
they had no children so the quilt was given back to Lorena's friend
who then passed on to her daughter. Many Kate Greenaway motifs plus
a Jumbo the elephant block who was such a crowd pleaser in 1905 are
included.
Composed of 56 blocks with a 4 inch wide muslin feather border,
hand quilted and hand pieced. The hand quilting is 12 stitches per
inch. Each block motif is outline quilted and then each block is
outline quilted. The binding is 1” wide Turkey red and back is
muslin. The blocks have been hand pieced together with feather
stitching. Maker is unknown.
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9.0 Flannel Flag Quilts - 1913 - 72" x 80" and 75" x 82"
Made by Margaret Mason from Marietta, PA. Husband was Joseph and
family descended from Edgar from late 1700's. After quilts were
made, Father died and family left area.
In Tony Hyman's Handbook of Cigar Boxes He says "Flannels were
collected from the coupons that were enclosed in cigarette packs.
Catalogs (which were sent for 2 cents postage) were sent and then
the flags, etc. could be ordered by size and description. The
practice of inserting these premiums started in 1890 and finally
died out in the 1930's in Europe due to the cost of producing both
the silk and flannel items and the shortage of paper during WWII."
Americans lost interest in these mostly after WWI. You will
notice that these flags represent countries when most were still
monarchies prior to WWI, some Indian blankets representing their
nations and most American flags came with 46 or 48 stars.
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10.0 8-Pointed Star or LeMoyne Star - 1925 - 20" x 27"
This small crib quilt was made by my Aunt, Thelma Marie Chidester
Hall in Westmoreland, KN in 1925. She was 19 years old and expecting
her only child, Gloria. My grandmother didn’t think this was a nice
enough quilt for her first grand baby as grandmother was a master
quilter and a perfectionist so the quilt was never used.
Grandmother made her another one.
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11.0 Trip Around The World - 1920 - 48" x 50"
Mostly 1920's prints - maybe a few earlier with oranges being the
predominate color which was popular in that decade. Composed of 1"
squares.
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12.0 LeMoyne Star or 8 Pointed Star quilt with Circles - 1930
72" x 74"
30 Blocks hand pieced by Pearl Eunice Townsend Chidister in
the 1930's from 1920's and 1930's fabrics. Assembled with 1930's
circles and solid colored fabrics and hand quilted by Judi in 2007.
Pearl is Judi's maternal grandmother.
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13.0 Red and White Pinwheel – 1930’s – 65” x 79”
This monochromatic quilt consists of 3” square pinwheel blocks
set into framed Nine Patch Blocks which are assembled into a mock
Irish Chain layout. The quilt is exquisitely hand pieced with the
tiny points having razor sharp precision. The hand quilting is done
in a geometric style which is rather unusual. Maker is Charlotte
Randell of Portland, OR.
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14.0 Magic Vine Quilts - late 1930's - both 74" x 83"
Designed by Florence LaGanke Harris as the Nancy Page syndicated
quilt patterns which were published in newspapers. The first of
these was shown in the St Louis Star Times in Sept 1930. (27
different designs were published under the Nancy Page name.)
Bought as throw away rags - especially the yellow quilt top and
the peach finished but badly stained, they were rescued and restored
with work and soaking in BIZ.
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15.0 Grandmother's Flower Garden - 1920-30's - 51" x53"
Center is hand pieced from feedsacks from the 1920's and 1930's.
Borders and binding are made from "Aunt Gracie's" reproduction
fabrics. Assembled and hand quilted in 1998
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16.0 Grandmother's Flower Garden - 1939 - 76"x76"
This quilt was made by Nellie Mae Brock Connor Hildebrand (Judi’s
paternal grandmother) for the wedding of Cecil and Stella Connor
(Judi’s Uncle and Aunt) in Portland, OR in 1939. It is composed of
1” hexagon pieces of the bubblegum pink and Nile green fabrics of
the ‘30’s era. It is hand pieced and every other hexagon is hand
quilted.
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17.0 One Patch Embellished Wool Quilt Top – 1920-30’s,
66"x
80”
Composed of men's suiting fabrics - maker probably worked in one
of Oregon's woolen mills and these rectangle blocks ( 4" x 6") were
sales samples. The embroidered crazy stitching joining the blocks is
exquisite and is executed in yarn and cotton floss. Maker is unknown
but a testament to her wanting to create something of beauty having
little to do it with.
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18.0 Farm Animal Crib Quilt - 1940's - 33" x 42"
These delightful little crib quilt blocks were Penny Squares with
the designs already transferred on to the fabric in the 1920's and
30's. The are exquisitively embroidered. The sashing and binding
were done in Turkey Red fabric and back is feed sack material.
Feather quilting design in white thread surrounds the border fabric.
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19.0 Farm Crib Quilt - 1940's - 38" Square
This little quilt is an odd size being a total square but it
contains 16 prestamped "penny squares" of the 30's and 40's.
Embroidery work is exquisitely done in multi colors and the sashing
and binding are composed of the apple green 1930's fabrics.
Comparing it with the Farm Animal Crib quilt above, some of the
motifs feature places and people as well as just the animals. The
above quilt is done in more neutral colors.
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20.0 Lone Star - 1940 - 70” x 86”
Made by Marta Berta Theresa Dubberke (1899-1963) who was born in
Germany and immigrated to USA in 1939 – the second time. She lived
in total poverty with no indoor plumbing or electricity even up to
1963. Yet, Berta loved to sew and this quilt is a testament to her
wanting to have something pretty to brighten her life. Berta never
had any money in order to buy fabric so she made do with gifts and
pieces from friends and she also loved the color pink in huge
amounts as this quilt testifies. It is made from the ubiquitous
polyesters of the 1940’s. Unlike most Lone Star quilts, the
surrounding pink squares and triangles were not pieced to the star.
Instead she sewed the star on top of the solid fabric. Berta was an
expert seamstress but appliqué and embroidery work (which at one
point outlined the star very badly) were not her specialty. It took
a bit of TLC to remove all the ugly and poorly done embroidery to
make this quilt shine. It is a wonderful example of what fabrics
were available during the “War” years and they were pretty abysmal
at that.
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21.0 USA State Blocks - 1950's - 70" x 80"
This 48 USA blocks quilt depicts the state bird, flower and state
name. They were transfers from Aunt Martha's patterns produced in
1930. The blocks were exquisitely embroidered by Nancy H. Corwin in
Portland, OR in the early 1930's. The sashing is the apple green
color fabric of the 1930's.
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22.0 Cigarette Silks
Egyptian Straights, Fatima, Luxury, Zira, Soverign, Zoya, Tokio
and Lande Cigarettes put silks in their packages of women, flags,
fraternal organizations, animals, and flowers and plants, sports
stars, butterfilies etc. Most of these premiums came from American
companies and were made in NY.
Assorted silk Embroidered Flowers from tobacco premiums,
measuring 1 " x 2" Original German WW2 packages Lande Mokri Superb
cigarettes. These are the packages of 6 cigarettes and are the exact
size and quantity that were issued to German WW2 soldiers in the
frontline supplementary box. They are in great shape and have an
intact tax stamp (in fact these came still wrapped in the original
shipping packaging (see the picture above). They measure 2 5/8" x 2
3/4". It stands to reason that Hitler would not put flags of other
countries in the German cigarettes.
Flag Silk Pillows - 13" sq and 15" x 18". Made from premiums from
Soverign Cigarettes Co., Factory No 30, 2nd Dist. N.Y. They also
made tiny rugs out of felt or velveteen with fringe and were popular
in doll houses for children.
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